History is the story of two cities, born of two loves
The two cities
History has a meaning, willed by God, but it is not read in the fortunes of empires: it is played out between the two loves and will be fully visible only at the end.
Two loves build two cities mixed together here below; God rules the course of kingdoms by an order only he knows.
"History is the story of two cities, born of two loves" is an argument by Augustine of Hippo (The City of God, XIV, 28; I, 35; IV, 33; V, 15 (413-426), 420) on the question "Does history have a direction?" (answer: a divine plan). Its claim: History has a meaning, willed by God, but it is not read in the fortunes of empires: it is played out between the two loves and will be fully visible only at the end. According to AskPhilosophy's logic check (Z3 solver), the argument is valid only if one grants a premise the author leaves unstated (P4). AskPhilosophy presents 4 objections, 4 of them with a documented reply, and the original text behind each premise, checked word for word.
In 410 Rome is taken and sacked by the Goths. Pagans blame the Christians: the old gods, no longer worshipped, would have abandoned the city. Augustine answers with an immense book. His idea: human history is not first the story of empires but of two loves. Love of self, to the contempt of God, builds the earthly city; love of God, to the contempt of self, builds the heavenly city. They are mixed together in this world and will be separated only at the end. God leads the whole, but his plan cannot be read in the success or misfortune of kingdoms: he gives them to the good and the wicked alike.
click a premise to reject it
Without the implicit premise: Without P4, the computer finds a world where people love either themselves or God, kingdoms rise and fall, and nothing directs the whole: a true history, but without a willed meaning.
Objections
4Each objection is a conversation: click to see who replies and where the debate stands.
Voltaire 1756 · attacks premise 3If a good God rules the course of the world, how do we explain the Lisbon earthquake and its thousands of victims? One cannot say the victims were paying for their crimes: what fault did the children crushed on their mothers' breasts commit? A "plan" that passes through such suffering justifies nothing.
Augustin replies
If a good God rules the course of the world, how do we explain the Lisbon earthquake and its thousands of victims? One cannot say the victims were paying for their crimes: what fault did the children crushed on their mothers' breasts commit? A "plan" that passes through such suffering justifies nothing.
Karl Popper 1945 · attacks premise 3Seeing God as the author of the play performed on the stage of history is a form of historicism. There is no history of mankind, only many histories. The one raised to the rank of world history is the history of political power, which is largely a history of crime and mass murder: looking for a plan in it amounts to worshipping power. History has no meaning to discover; we can give it one by our choices.
Augustin replies
Seeing God as the author of the play performed on the stage of history is a form of historicism. There is no history of mankind, only many histories. The one raised to the rank of world history is the history of political power, which is largely a history of crime and mass murder: looking for a plan in it amounts to worshipping power. History has no meaning to discover; we can give it one by our choices.
PPolybius 150 BC · attacks premise 3Rome's rise is explained by the form of her constitution, which mixes kingship, aristocracy and democracy. Rome grew through natural causes, and through natural causes she will decline: the rise and fall of states can be understood without appealing to a hidden order.
Augustin replies
Rome's rise is explained by the form of her constitution, which mixes kingship, aristocracy and democracy. Rome grew through natural causes, and through natural causes she will decline: the rise and fall of states can be understood without appealing to a hidden order.
Hegel 1820 · attacks premise 3To say that Providence has a plan, but that this plan is unknowable and inconceivable to us, leaves the idea empty. A Providence whose design nobody can show explains nothing of history: reason must be able to know the meaning of history before one has the right to say it has one.
a defender replies
To say that Providence has a plan, but that this plan is unknowable and inconceivable to us, leaves the idea empty. A Providence whose design nobody can show explains nothing of history: reason must be able to know the meaning of history before one has the right to say it has one.