The genius of the species
The genius of the species; love as nature's trap; Schopenhauer on love
The lover believes he is pursuing his own happiness, but he is serving the species. Once the great work is done, he finds himself cheated: the illusion that made him the dupe of the species has vanished.
Love is only a refined sexual instinct, which deceives us with an illusion serving the species.
"The genius of the species" is an argument by Arthur Schopenhauer (The World as Will and Representation II, 1844, ch. 44 "The Metaphysics of Sexual Love", 1844) on the question "What is love?" (answer: a useful illusion). Its claim: The lover believes he is pursuing his own happiness, but he is serving the species. Once the great work is done, he finds himself cheated: the illusion that made him the dupe of the species has vanished. According to AskPhilosophy's logic check (Z3 solver), the argument is valid only if one grants a premise the author leaves unstated (P4). AskPhilosophy presents 3 objections, 1 of them with a documented reply, and the original text behind each premise, checked word for word.
For Schopenhauer, poets are right to talk about love all the time: it is an immense passion. But they are wrong about its cause. Behind the most ethereal love there is only the sexual instinct, made more precise. And this instinct does not work for you: it works for the next generation. What Schopenhauer calls the "genius of the species" examines, through your eyes, which child two given people could have. To make you go along, it makes you believe that this person, and no other, will make you happy. When the goal is reached, the illusion falls and the lover feels cheated.
click a premise to reject it
Without the implicit premise: Without P4, the computer finds a world where love is only a specified sexual instinct, aiming at the coming child through an illusion, and yet the lover is not cheated: the promised happiness does come.
Objections
3Each objection is a conversation: click to see who replies and where the debate stands.
Plato 380 BC · attacks premise 1In the Symposium, Socrates reports Diotima's lesson. Love begins with the attraction of one beautiful body, but it does not stop there: it climbs from the beauty of one body to that of all bodies, then to that of souls, activities and kinds of knowledge, up to beauty itself. Love is therefore not only a more precise sexual instinct: it can become the desire for beauty itself.
Schopenhauer replies
In the Symposium, Socrates reports Diotima's lesson. Love begins with the attraction of one beautiful body, but it does not stop there: it climbs from the beauty of one body to that of all bodies, then to that of souls, activities and kinds of knowledge, up to beauty itself. Love is therefore not only a more precise sexual instinct: it can become the desire for beauty itself.
DDavid Buss 1989 · attacks premise 2The psychologist David Buss tests, in 37 samples from 33 countries, predictions drawn from evolutionary theory. Result: women place more value on signs of resources in a partner, and men on signs of reproductive capacity. This gives Schopenhauer part of his case: love's choice is not arbitrary, it follows pressures tied to reproduction. But Buss explains it by reproductive strategies specific to each sex, shaped by selection, and not by a genius of the species that thinks of the coming generation.
no reply
The psychologist David Buss tests, in 37 samples from 33 countries, predictions drawn from evolutionary theory. Result: women place more value on signs of resources in a partner, and men on signs of reproductive capacity. This gives Schopenhauer part of his case: love's choice is not arbitrary, it follows pressures tied to reproduction. But Buss explains it by reproductive strategies specific to each sex, shaped by selection, and not by a genius of the species that thinks of the coming generation.
Søren Kierkegaard 1847 · attacks premise 1In Works of Love, Kierkegaard writes that the love the poets sing is, hidden, a love of self. But he does not conclude that all love is instinct: above this love of inclination he places love of neighbour, which is a duty ("you shall love") and depends on no inclination, hence on no sexual instinct.
no reply
In Works of Love, Kierkegaard writes that the love the poets sing is, hidden, a love of self. But he does not conclude that all love is instinct: above this love of inclination he places love of neighbour, which is a duty ("you shall love") and depends on no inclination, hence on no sexual instinct.